Thrilled to announce that the short film OCTOPUS, by George Dogaru, has been officially selected for the Beloit International Film Festival.

BIFF 2026 will take place March 25–29, 2026, in Beloit, Wisconsin.

OCTOPUS is the new short film by the great Romanian filmmaker George Dogaru.
Premiered at the Tirana International Film Festival in Albania, a qualifying event for the Hollywood Oscars and the EFAs, it is one of the most successful short films in Romanian cinema.

Director Statement:

Octopus is a story born from a personal reflection on childhood fears and the silent ways in which children cope with trauma. I wanted to explore the inner life of a boy who, at first glance, seems perfectly ordinary – but whose imagination becomes both his refuge and his weapon.

For me, Albert reflects something universal: the feeling of powerlessness in the face of adult cruelty, the confusion of a world that appears unfair and threatening, and the desperate need to reclaim even a fragment of control. Through his drawings – and the strange gift that allows them to come alive – Albert reclaims that control in the only way he knows: by transforming his own fear into a weapon, forcing those around him to feel the very terror that has shaped his existence.

In this story, there is no line between fantasy and reality – because there is no fantasy. Everything Albert imagines is real, solid, inescapable. The extraordinary seeps gently into the ordinary without spectacle or warning. It is not magic; it is the quiet logic of a mind cornered by loneliness and fear.

Visually, the world of Octopus is bright, deceptively full of color – because depression often wears cheerful clothes. This contrast was essential to me: to build a world where suffering hides behind light, where dread dresses itself in playful tones, and fear grows silently beneath the surface of the everyday. I wanted the audience to sense this dissonance – the uneasy weight hidden under apparent normalcy.

In the end, Octopus is not a story of triumph or survival. It is a story of escape – but of the final, irreversible kind. Albert’s last gesture is not victory, but surrender: stepping fully into the world he created, leaving behind the one that has broken him. Octopus is, above all, a quiet tale of invisible tragedy – the kind that unfolds unnoticed, when no one is truly looking.

A farewell whispered by a child who was never truly seen.

In a few days, we will announce more good news about this magnificent film from the best of Eastern European cinema.

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